The tech rehearsals continue…
…an interview with the composer and some scenes here Working in the round poses some unique challenges. Clearly, conventional proscenium presentation offers acoustic advantages, and in particular, more control by the conductor of the overall perception by the audience. When working in the round for an immersive concept, especially if the work is staged, balances and emphases are constantly shifting, but the sense of “belonging” is greater…
Categories: contemporary music, context and perception, gesamtkünstwerk, interdiscipline, meta-composition, multimedia, new choral music, new conductor, new opera and music drama, Uncategorized • Tags: DON FREUND, MARGARET DOLINSKY, PASSION WITH TROPES, ROBERT A. SHAKESPEARE, Susanne Schwibs
