postclassical music | Carmen-Helena Téllez

I found this fascinating read…as I get ready to create a new interdisciplinary work

October 19, 2019 by carmen helena tellez

This comes from AEON magazine, where one find many provocative new insights on how we and the world work, and could work… In fact, musical modernism exacerbated the idea that musical artists had to specialize–you were a composer, or a performer, or a historian, but rarely expected to be recognized professionally for credible expertise in all these –or other– disciplines. This is gradually changing. The most forward looking music departments and schools are considering interdisciplinarity, which does not eliminate the […]

Categories: art and paradox, art and society, Carmen's work, interdiscipline, postclassical music, Uncategorized • Tags: The Nine Muses by Carlos Dorrien

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Two oratorios sing the trials of our society and prayers of reflection

May 5, 2019 by carmen helena tellez

I am delighted to announce that Ensemble Concept/21 has invited the Euclid Quartet, Kosmologia, and the Notre Dame Children’s Choir to premiere the oratorios The Tower and the Garden by Gregory Spears and Beatitudes by Jorge Muñiz, under my direction, next Friday, May 10, at 7 pm, in the Campus Auditorium of Indiana University South Bend. This project joins together two important sponsors of creativity in this country– The New Frontiers Program at Indiana University, and the Ann Stookey Fund […]

Categories: art and religion, art and society, gesamtkünstwerk, intermedia, music composition, new choral music, new forms of presentation, new opera and music drama, postclassical music, sacred music • Tags: CARMEN HELENA TELLEZ, Denise Levertov, Gregory Spears, Jorge Muñiz, Notre Dame Vocale, Thomas Merton

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The controversy about the title “Female Composer”…..

July 17, 2013 by carmen helena tellez

…or “Woman” composer, (or “Latin American” composer, for that matter) gets a perspective from composer Kristin Kuster here. It is worth reading her opinion piece in the New York Times alongside the piece she quotes from NewMusicBox. Much of what she says about women composers applies to women conductors, and both contingents are underrepresented in the high-level circles of the profession that receive the most performances or conduct the elite ensembles. She is right that women have sought to separate […]

Categories: art and society, contemporary music, interdiscipline, music composition, my work, new conductor, postclassical music, postmodernism, Uncategorized • Tags: Kristin Kuster, Women Composers

Philip Glass’s Satyagraha: Met’s great production for a significant work.

December 9, 2011 by carmen helena tellez

…not only the opera as a musical work, but its production, such as the MET has done it for Philip Glass’s Satyagraha last November. Satyagraha means The Force of Truth in Sanskrit. We were stunned by the extraordinary marriage of the music and its visual and choreographic manifestation. I saw it at the movies only yesterday, through one of the wonderful Met HD broadcasts that are changing the consumption of opera. The camera work in itself was extraordinary, and speaks […]

Categories: art and ritual, contemporary music, gesamtkünstwerk, interdiscipline, music, new opera and music drama, postclassical music

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The reviews of PASSION with Tropes are as variegated as the work itself

May 30, 2011 by carmen helena tellez

Composer Jeremy Podgursky has just published his review of Don Freund’s PASSION with Tropes in the excellent online journal Sequenza21.com. His full account and considered opinion teach us how an interdisciplinary presentation of a musical work originally conceived for concert oratorio format may provoke surprising revelations about the work itself. The layers multiply beyond the performance through the reception and critique of viewers. Podgursky’s impression of PASSION was affected by his experience of important films by Fellini and Godard. This […]

Categories: art, art and religion, art and ritual, art music video, contemporary music, gesamtkünstwerk, interdiscipline, meta-composition, multimedia, music composition, my work, new choral music, new conductor, new opera and music drama, postclassical music, sacred music

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Classical musicians face new relationships with the audience

March 23, 2011 by carmen helena tellez

A piece of news is rapidly circulating among classical musicians, and particularly, choral conductors and composers. Eric Whitacre, a favorite composer of choral music, has signed with Storm Models, just as he is entering a new phase in his career that includes his YouTube virtual choir and collaborations with film composer Hans Zimmer for the music for Pirates of the Caribbean 4. Classical composers are likely to have one of two reactions: some will declare that Whitacre has abandoned all […]

Categories: art and society, new choral music, postclassical music, social media • Tags: Eric Whitacre, virtual choir, virtual music ensembles, YouTube

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Carmen-Helena Téllez

Conductor – Creative Producer – Interdisciplinary Artist • A site with notes about music, art and the occasional paradox

Category Archives: postclassical music

I found this fascinating read…as I get ready to create a new interdisciplinary work

Two oratorios sing the trials of our society and prayers of reflection

The controversy about the title “Female Composer”…..

Philip Glass’s Satyagraha: Met’s great production for a significant work.

The reviews of PASSION with Tropes are as variegated as the work itself