Composer Jeremy Podgursky has just published his review of Don Freund’s PASSION with Tropes in the excellent online journal Sequenza21.com. His full account and considered opinion teach us how an interdisciplinary presentation of a musical work originally conceived for concert oratorio format may provoke surprising revelations about the work itself.  The layers multiply beyond the performance through the reception and critique of viewers. Podgursky’s impression of PASSION was affected by his experience of important films by Fellini and Godard. This […]

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