Carmen-Helena Téllez

Conductor – Creative Producer – Interdisciplinary Artist • A site with notes about music, art and the occasional paradox

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Category Archives: art and society

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¡Unicamente la verdad! has had tremendous reception this year!

June 27, 2013 by carmen helena tellez

Gabriela Ortiz, the composer of ¡Unicamente la verdad! has sent us the fantastic review written by Opera News after its California premiere with the adventurous Andreas Mitisek and Long Beach Opera, with the new title Camelia la tejana: Only the Truth!.  I invite you to revisit the notes on the conceptualization and premiere in 2008 at Indiana University of ULV, more than an opera, a work of interdisciplinary art. It is wonderful to see the different directorial approaches, one sardonic […]

Categories: art and ritual, art and society, Carmen's work, context and perception, multimedia, my work, new opera and music drama • Tags: Camelia la Tejana, Gabriela Ortiz, Unicamente la verdad

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A thrilling new conference on Sacred Music ….

July 8, 2012 by carmen helena tellez

…with James MacMillan and a stellar panel of guest composers and scholars. Check the site here It was a privilege to be part of it!

Categories: art and religion, art and ritual, art and society, my work, new choral music, new conductor, sacred music

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The Qatsi Trilogy featured at Edinburgh

July 5, 2011 by carmen helena tellez

What a great opportunity for the lovers of this Trilogy!  My favorite is still the first film of the three, Koyaanisqatsi. I still remember viewing for the first time just by accident, as it was broadcast late one night (perhaps on PBS?) in 1984.  I have rarely been more grateful for insomnia. I was immediately fascinated, and I ended telling my fellow students the next day that I had viewed the art of the future. I think Koyaanisqatsi is extremely […]

Categories: art and ritual, art and society, art music video, contemporary music, postmodernism • Tags: Koyaanisqatsi, Philip Glass

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Classical musicians face new relationships with the audience

March 23, 2011 by carmen helena tellez

A piece of news is rapidly circulating among classical musicians, and particularly, choral conductors and composers. Eric Whitacre, a favorite composer of choral music, has signed with Storm Models, just as he is entering a new phase in his career that includes his YouTube virtual choir and collaborations with film composer Hans Zimmer for the music for Pirates of the Caribbean 4. Classical composers are likely to have one of two reactions: some will declare that Whitacre has abandoned all […]

Categories: art and society, new choral music, postclassical music, social media • Tags: Eric Whitacre, virtual choir, virtual music ensembles, YouTube

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Is the new path for classical music the emergence of a new orchestra?

March 18, 2011 by carmen helena tellez

The future of classical music presentation and education occupies much of the discussions — online and elsewhere — enacted by art managers and college administrators in the USA today. Of course, there are many definitions of what “classical music” is, and diverse repertoires come along with said definitions. However, for the broad public, classical music is that repertoire performed with symphony orchestras. Could the orchestra itself undergo a radical transformation, not only in its modus operandi, but also in its […]

Categories: art and society, contemporary music, music • Tags: composition, conducting, orchestra, Paul Dresher

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On the merits of art scholarship

March 17, 2011 by carmen helena tellez

My conducting students at the Jacobs School of Music sometimes manifest (with varying degrees of unease) their ambivalence towards music scholarship. It is not always clear to them that more knowledge about the context, technique, structure and rhetoric of a composition will enhance their interpretation in the real time of performance. You may surmise I believe it does, but the process is not necessarily direct. On the contrary, how an artist processes information and experience is akin to a mysterious […]

Categories: art and society, scholarship • Tags: art, art institute of chicago, art scholarship, Frick Collection, Giovanni Bellini, Huffington Post, jacobs school of music, james elkins, perception

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