Mozart’s Magic Flute has an alter ego…
In the ongoing production of Mozart’s The Magic Flute at the Teatro Nacional Sucre of Quito, Ecuador, the opera takes a new garb in my transcription for an orchestra of Andean instruments, following the foundational concept of 2008 by the music director of the Orquesta de Instrumentos Andinos, Segundo Condor, who died without completing it. The process enjoyed wonderful assistance by artists affiliated to the Teatro and the Orquesta, Tadashi Maeda and Leonardo Cárdenas, among them. The paradigm of the […]
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