Soundtracks for Dreaming/Undreaming are now available!
Soundtrack now available! Listen to the full Dreaming/Undreaming soundtrack: Spotify YouTube Amazon Pandora Apple
Categories: Uncategorized
Sequenza/21 reviews Dreaming/Undreaming
Sequenza/21, the esteemed new music journal of New York City has published a perceptive review of Dreaming/Undreaming penned by the distinguished composer Christian Carey. Read more HERE.
Categories: Uncategorized • Tags: CARMEN HELENA TELLEZ
A glimpse of Dreaming/Undreaming
A glimpse of Dreaming/Undreaming, premiering on June 17th, 2021, at the Princeton Festival!
Categories: art, art and paradox, art music video, Carmen's work, contemporary music, context and perception, gesamtkünstwerk, interdiscipline, music composition, women in music • Tags: Dreaming/Undreaming, interdisciplinary art, new music composition, video art
THE PRINCETON FESTIVAL ANNOUNCES DREAMING/UNDREAMING
I am delighted to share that the commission by the Princeton Festival of my music art video Dreaming/Undreaming will premiere next June 17, 2021 in their virtual season. This has been a dream-come-true project in co-creation with fellow artists Camilla Tassi and Ryan Belock (video), Natasha Stojanovska (piano), Alexa Capareda (movement) and Chia Patiño (dramaturgy). It will be wonderful to count with your virtual attendance on June 17th and thereafter. Check all the information HERE!
Categories: Uncategorized • Tags: The Princeton Festival
Happy New Year 2021! A year of renewal!
Categories: Uncategorized • Tags: drawings, IPad Angels
A Podcast with Carmen-Helena Téllez and The Princeton Festival
I had the privilege of being interviewed by The Princeton Festival on a variety of topics, ranging from women in music, the role of new modes of presentation during the current coronavirus crisis., and my work with the project for inter-artistic composition, Kosmologia. The podcast is available through the month of June at this link: The Princeton Festival Podcast
Categories: art and ritual, art and society, meta-composition, multimedia, new forms of presentation, new opera and music drama, social media, women in music, women in the arts • Tags: CARMEN HELENA TELLEZ, coronavirus, covid-19, new modes of presentation, podcast, The Princeton Festival
A conversation about the pandemic and innovations in choral music
II just enjoyed the privilege of a very rich conversation with Dominick DiOrio, the new president of the National Collegiate Choral Organization and Associate Professor of Music at the Jacobs School in Bloomington, moderated by Alain Barker for his series of webinars on future directions in the musical field, which he leads from his Office of Entrepreneurship and Career Development, also at the Jacobs School. The topic was “crossdisciplnay modes in choral music”, a point of entry to discuss […]
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Happy Holidays and a great 2020 to all!
Categories: art, art and religion • Tags: Christmas card
I found this fascinating read…as I get ready to create a new interdisciplinary work
This comes from AEON magazine, where one find many provocative new insights on how we and the world work, and could work… In fact, musical modernism exacerbated the idea that musical artists had to specialize–you were a composer, or a performer, or a historian, but rarely expected to be recognized professionally for credible expertise in all these –or other– disciplines. This is gradually changing. The most forward looking music departments and schools are considering interdisciplinarity, which does not eliminate the […]
Categories: art and paradox, art and society, Carmen's work, interdiscipline, postclassical music, Uncategorized • Tags: The Nine Muses by Carlos Dorrien
Carmen-Helena Téllez 